Jennet Mallow is born in Yorkshire in the 1920s but her interest in art and creativity alienates her from her family, her father who is a priest, her conventional sister, and her mother. Jennet moves to London in search of a more exciting life and finds it in her new environment and in the handsome and enigmatic figure of the painter David Heaton. When Jennet falls pregnant, her parents more or less force the two to marry.
In the post-war austerity of the 1940s, the young couple struggle to make ends meet and Jennet finds that her home life is gradually eroding everything she has fought to achieve. Aware that David is becoming increasingly reliant on drink and tired of the dank and drab bed-sit in which they live, Jennet suggests they move to Spain. There, the bright blue skies, warm air and sunlit beaches give the couple and their children a new lease of life.
Jennet begins to paint again and an agent takes an interest in her work. But as Jennet’s own career begins to take off, her relationship with David sours and the two enter a destructive spiral with tragic consequences. Such is the outline of the book provided by the publisher. But it does not do it justice.
The novel, which appears most of the time as almost autobiographical, is imbued with the spirit and freshness and colour and light of painting. The process of painting and its results. It is suffused with magical descriptions and sometimes it is almost stream of consciousness stuff. You can’t fail to be captivated.
But whilst you do constantly want to know about Jennett and what happens to her, there are times when she strikes you as a cold fish, for instance staying on a prolonged holiday when her father is seriously ill, and you wonder then whether this is quite realistic or, if it is, whether you should care for her at all. Still, let us grant artists a certain leeway and enjoy this real attempt to get inside their mind.